The Queue is an oft-recurring column in which Meg Shields provides you with a distraction of curated video content sourced from across the web.
If you’re new to The Queue, start here:
By Meg Shields
Here’s a look at why Wes Craven’s 1991 horror film is as relevant as ever.
By Meg Shields
Be they sinister, or joyous, a dolly-in is a powerful tool.
By Meg Shields
Does digital cinema mean green screens and fully-CGI characters? Or realistic shaky-cam and more accessible filmmaking? (The answer is yes, and yes).
By Meg Shields
The camerawork in ‘Succesion’ would be deemed “imperfect” in other contexts. Here’s why it serves the show’s narrative without you even knowing it.
By Meg Shields
If the camera has a perspective, it’s worth asking whose perspective it belongs to.
By Meg Shields
Sometimes capturing an eery vibe is more important than accurate migratory patterns.
By Meg Shields
“Handmade suits, raking in loot/Five-star general, y’all best salute.”
By Meg Shields
Does punching your gun forward make the bullet hit harder? Who cares, it looks cool.