Cinematic Universe.
By Brad Gullickson
We explore the implications of Jon Favreau validating his childhood fantasies for characters who never stood a chance with George Lucas.
By Charlie Brigden
Just how would John Williams musically close the ‘Star Wars’ trilogy?
Just as ‘The Clone Wars’ achieved excellence, the show was over. Ah, but the quality shall continue elsewhere.
The eccentric artist uses his wildfire imagination to bend J.J. Abrams’ film to his will. The result is glorious.
By Kieran Fisher
In another galaxy far, far away, ‘Star Wars: Underworld’ brought some grit to the franchise.
By Christopher Campbell
With the Golden Globes confirming no place for voice acting in their awards, we highlight why that’s the wrong decision.
Cobb Vanth has instantly become the most fascinating character in the expanded universe, but who the hell is he?
The composer had an impossible task with the follow-up to ‘Star Wars’ but he was certainly up to the challenge.
With the addition of Timothy Olyphant to an already crowded cast, we go wild with character speculation.
