By Farah Cheded
The Internet’s favorite jokes aren’t just funny.
By Karen Gomez
What Netflix’s executive decisions mean for their creative future.
By Farah Cheded
Since Get Out, there has been much talk of the political utility of the horror genre, but with movies like ‘Hell or High Water’ and ‘Mad Max: Fury Road’ reaffirming that social comment isn’t the sole property of horror films, could the “dying” Western enjoy new life, post-election?
By Max Covill
Even the best films can have clumsy conclusions.
By William Dass
May Wonder Woman be a first step in treating girls as more than an afterthought in the superhero business.
