By Meg Shields
In praise of monochrome: why black-and-white remasters aren’t just a gimmick, and what they can teach us about visual storytelling.
By Meg Shields
Each one greater and more terrible than the last.
By William Dass
David Fincher is being courted to direct the sequel to the much maligned zombie thriller.
By Meg Shields
Containing multitudes is a time-honored cinematic tradition.
By Meg Shields
Should all adaptations of classic works be faithful?