By Meg Shields
From special effects to montage, to pure, unbridled style, here’s a brief introduction to the many uses of the jump cut.
By Max Covill
Two artists talk about working with Steve McQueen, the original Widows, and creating a heist-film.
By Farah Cheded
Just like the transcendental movies Paul Schrader first wrote about 46 years ago, ‘First Reformed’ is shot in a restrained manner designed to open up space for the spiritual.
Watch a video essay about how brilliant editing can transform our viewing experience.
Aspect ratios killed the dino-awe.
An interview with Tatiana Riegel, editor of I, Tonya.
By Madison Brek
Watch a video essay about the importance of editing in Michel Gondry’s masterwork.