‘Miracle Workers’ is a Fun, Endearing Look at How Screwed We Are

The angels are winging it, God won't get out of his pajamas, and love is all that matters in this…

The 2019 Oscar-Nominated Live Action Shorts Reviewed and Ranked

Short-form Academy Award nominees hit theaters this week and VOD later this month. Find out if they're worth your money.

‘Horror Noire’ Is a Powerful Documentation of Black Film History

Shudder has assembled a team of experts to document black history in horror cinema.

‘Memory: The Origins of Alien’ Review: A Welcome Excavation of a Sci-Fi Classic

In space, no one can hear the Greek Furies scream...

‘Russian Doll’ Review: Natasha Lyonne is the Best of Netflix

Netflix's latest, co-created by Amy Poehler, is a 'Groundhog Day'-inspired look at mortality and sanity in New York City.

‘Outlaws’ Review: A24’s Australian Biker Drama Is More Hell Than Angel

'Outlaws' is an Australian biker throwback that throws back to some of the worst aspects of American exploitation cinema.

‘Alita: Battle Angel’ Review: Manga Adaptations Take A Big Step Forward

The bar wasn't very high, but this cyborg stakes her claim

‘Piercing’ Review: A Blackly Comic Thriller About Self-Discovery and Love at First Slice

The director of 'The Eyes of My Mother' trades B&W for S&M, and the result is 81 minutes of twisted…

‘The Farewell’ Review: A Funny, Heartfelt, and Surprising Tale About Family [Sundance]

A24's newest buy is not in vain. Please keep giving Lulu Wang money to make movies.

‘Sweetheart’ Review: A Peter Benchley Pulp Adventure for the #MeToo Movement [Sundance]

'Sweetheart' is a cheap quickie of a monster movie that rages with relevance.