By Scott Beggs
Is there anything more worth celebrating than B-movies of the 1950s? The aliens, the UFOs on strings, the rubber-suited monsters. There’s nothing else like it in cinema, and the genre is back in the spotlight with this week’s releases.
By Scott Beggs
Something twisted up Variety’s panties, because not one, not two, but three articles about how shitty blogs are popped up on Sunday. Are they worth reading? Maybe. Are they worth responding to? Of course.
By Kevin Kelly
SXSW gave us the double-edged sword of joy through the heart known as Metropolis with the addition of a live performance of an all-new original score for the film. Plus, we drank beer during it. Only in Austin.
By Neil Miller
Amy Adams and Emily Blunt star as two loser sisters who pull it together by cleaning up other people’s suicides.
By Scott Beggs
With breathtaking visuals and a fantastic fairy tale story, Ink is an film that deserves to be celebrated.
By Scott Beggs
To this day, 12 Angry Men somehow hasn’t saturated some movie audiences, which is why I feel it’s an important movie to feature here (in a column usually devoted to lesser-known classics).
By Scott Beggs
In 1986, “Watchmen” was published as a limited series comic book. Twenty-three years later, it’s finally being released as a film. Here’s a look at what it took to get here.
By Scott Beggs
Strap yourselves in for a week’s worth of Watchmen features that will prove we’re geeking out just as much as you are. And we’ve got video to prove it.
By Scott Beggs
If you’re just in the mood for a fun movie that could teach us all a lesson about what it means to be cool (and what might happen if you hide millions of dollars of stolen money in your friend’s coffin), it’s a solid choice.
