The Aesthetics of Class in the Films of Wes Anderson
You know what they say: the views are better (and lonlier) above ground. Read More
September 10, 2021
The Queue
How “Mute By Default” Social Media Videos Affect Our Viewing Experience
In one of the great paradoxes of cinema history, thanks to social media apps, we've returned to silent cinema. Read More
September 8, 2021
Just One Look: How Tony Leung Acts with His Eyes
The eyes (of Tony Leung) have it. Read More
September 6, 2021
George Lucas’ Wildest Sequel: The Admirable Audacity of ‘More American Graffiti’
No, it's not the 'Star Wars' prequels. Read More
September 3, 2021
The Warm Absurdity of Old vs. New in Jacques Tati’s ‘Mon Oncle’
Reject modernity, embrace slapstick comedy. Read More
September 1, 2021
The Beginner’s Guide to the Australian New Wave
From 'Wake in Firght' and beyond, mate. Read More
August 30, 2021
Edward Yang’s ‘Yi Yi’ and the Cinematic Poetry of Liminal Space
"Why are we afraid of the first time? Every day in life is a first time." Read More
August 27, 2021
Knowing Nods: Wes Anderson’s Approach to Cinematic Resonance
"I always wished I was an orphan. Most of my favorite characters are." Read More
August 25, 2021
Danse Macabre: How ‘The Red Shoes’ Introduced Ballet to Horror Cinema
Anyone else hear toes cracking or is it just us? Read More
August 23, 2021