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The Queue
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The Aesthetics of Class in the Films of Wes Anderson
You know what they say: the views are better (and lonlier) above ground.
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How “Mute By Default” Social Media Videos Affect Our Viewing Experience
In one of the great paradoxes of cinema history, thanks to social media apps, we’ve returned to silent cinema.
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Just One Look: How Tony Leung Acts with His Eyes
The eyes (of Tony Leung) have it.
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George Lucas’ Wildest Sequel: The Admirable Audacity of ‘More American Graffiti’
No, it’s not the ‘Star Wars’ prequels.
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The Warm Absurdity of Old vs. New in Jacques Tati’s ‘Mon Oncle’
Reject modernity, embrace slapstick comedy.
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The Beginner’s Guide to the Australian New Wave
From ‘Wake in Firght’ and beyond, mate.
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Edward Yang’s ‘Yi Yi’ and the Cinematic Poetry of Liminal Space
“Why are we afraid of the first time? Every day in life is a first time.”
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Knowing Nods: Wes Anderson’s Approach to Cinematic Resonance
“I always wished I was an orphan. Most of my favorite characters are.”
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Danse Macabre: How ‘The Red Shoes’ Introduced Ballet to Horror Cinema
Anyone else hear toes cracking or is it just us?
