Blade Runner 2049

‘Cowboy Bebop’, ‘Blade Runner’, and the Ouroboros of Influence

By  Meg Shields 

A good deal of modern sci-fi owes a debt to ‘Blade Runner’ … some more than others.

Roger Deakins Discusses ‘The Goldfinch,’ What Almost Put Him Off ‘Skyfall,’ and Film vs. Digital

By  Anna Swanson 

They say you should never meet your heroes. We interviewed ours.

Übermensch in the ‘Blade Runner’ Franchise

By  Samantha Olthof 

‘Blade Runner 2049’ expands on the themes of parenthood and superhumanity introduced in the 1982 film.

How The Legacy Film Gives New Life to Franchise Cinema

By  Jenna Benchetrit 

Dan Golding explores a recent trend in which older blockbusters are passed on to a new generation.

The Academy Needs to Wrap its Head Around Mo-Cap Performance

By  Meg Shields 

Now that Roger Deakins has broken his losing streak, here’s a new Oscar injustice hill to die on.

Roger Deakins and the Construction of Moving Imagery

By  Alex Vitti 

The cinematographer’s precise control of the moving image heightens the way a story is told in film.

Watch An Old ‘Blade Runner’ Favorite Come to Life in this VFX Breakdown

By  Sheryl Oh 

Sean Young’s Rachael, impeccably rendered, graces the big screen once more in ‘Blade Runner 2049.’

Denis Villeneuve says ‘Blade Runner 2049’ is The Final Cut

By  Max Covill 

Alternate versions are lost like tears in the rain.