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All That Glitters: Each and Every Film Seeking Oscar Gold in 2017

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‘Hell or High Water’ and the Best Picture Bridesmaids

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Asghar Farhadi and the Cinema of Consequence

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Regarding the Pain of Popular Audiences

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The Disturbing Relevance of The Witch

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The Deakins Oscar Drought Continues

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The Best Original Songs of 2016 Were All Musical Numbers

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They Nominated That? A History of the Oscars’ Most Confounding Nominations

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How to Watch This Year’s Oscar Nominees

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