Features and Columns

Print to Projector: Survivor

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: Please, Don’t Call ‘The Hurt Locker’ an Arthouse Film

Try as I might, I can’t quite get over the fact that The Hurt Locker only made $12.6 million in… Read More

Old Ass Oscars: Citizen Kane

Every Sunday in February, Film School Rejects presents an Oscar Nominee for Best Picture that was made before you were… Read More

Culture Warrior: On Hollywood and Cheating

Editor’s Note: The following article features possible spoilers on Dear John, 2012, Amelia, and The Lovely Bones. You’ve been warned.I typically… Read More

For Science: Last Night Morgan Spurlock Saved My Life

Editor’s Note: The following experiment was conducted by two morons who think it’s fun and cool to do very harmful… Read More

Print to Projector: Superman: Red Son

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: Dressing Up the Twentieth Century

It’s easy to suspend disbelief with a costume drama. To watch films about European aristocrats of previous centuries gussied up… Read More

Print to Projector: Salinger’s Nine Stories

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: What is Cinephilia?

The answer to this question, taken literally, is “the love of cinema.” But, of course, nothing (at least, nothing in… Read More

Old Ass Movies: ‘The Quiet Man’

Every Sunday, Film School Rejects presents a movie that was made before you were born and tells you why you… Read More