Features and Columns

Print to Projector: On the Road

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: The Paradoxical Importance of Film Festivals

Since our resident genius Landon Palmer is out on the town this week at South By Southwest, I am foolishly… Read More

Print to Projector: Carter Beats the Devil

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: Kathryn Bigelow’s Next Move

For an industry that is viewed reductively by much of middle America as being politically left-leaning to the point of… Read More

Old Ass Oscar: Elmer Gantry

Every Sunday in February, Film School Rejects presents an Oscar Nominee for Best Picture that was made before you were… Read More

Culture Warrior: The Coens’ Uncertainty Principle

“The Uncertainty Principle: It proves we can’t ever really know what’s going on.” As illustrated by this scene in the Coens’… Read More

Print to Projector: Jitterbug Perfume

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: Twists, Tricks, and Surprises

Editor’s Note: This article may contain hints, tips and clues about the ending of Shutter Island. We don’t think they’re… Read More

Print to Projector: Survivor

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would… Read More

Culture Warrior: Please, Don’t Call ‘The Hurt Locker’ an Arthouse Film

Try as I might, I can’t quite get over the fact that The Hurt Locker only made $12.6 million in… Read More