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Jacob Oller
Jacob Oller writes everywhere (Vanity Fair, The Guardian, Playboy, FSR, Paste, etc.) about everything that matters (film, TV, video games, memes, life).
What’s Old Is New Again: ‘Stranger Things’ and Intertextuality
By Jacob Oller
The Artistic Influences of Movie Posters
By Jacob Oller
The Stingy Style of Robert Bresson
By Jacob Oller
The King of Clay: Willis H. O’Brien’s Stop-Motion Reality
By Jacob Oller
Short Film Friday: Modern Dance ‘Ascension’ Finds ‘Planet Earth’ Style
By Jacob Oller
Short Film Friday: ‘Underground Tantrum’ Revels In Rap
By Jacob Oller
Short Film Friday: ‘Rabbit’s Blood’ Is The Best Kind Of Weird
By Jacob Oller
Thank You For Smoking: Lighting Up With Billy Wilder
By Jacob Oller
Exploring Nowhere: The Weird Worldbuilding of ‘Eraserhead’
By Jacob Oller
David Lynch’s constructions are coherent in their craziness.
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