By Ciara Wardlow
It’s all in the name of love. And God, of course.
These movies will have to be seriously impressive in order to impress us.
Sometimes the lower-risk option is also more rewarding.
If one or more of these applies to you, I’m afraid I have some bad news.
Is a perfect parting shot worth undermining the narrative?
Animals, people, and default empathy settings.
A toolbox for the construction of plot twists, not an instruction manual (nobody reads those anyway).
An ode to one of the oddest odd couple tropes to repeatedly grace the silver screen.
All of Christopher Nolan’s films use props to appeal to your emotions apart from Dunkirk.
