Antoine Fuqua’s version is thrilling but ultimately redundant.
Finally, a tragi-rom-com for people who don’t do tragi-rom-coms.
Annoying and artless, Rob Savage’s latest screen-life film can’t even manage to use its format well.
Denis Villeneuve’s jaw-dropping adaptation lets the spice flow while being unavoidably flawed.
Jane Campion’s latest is a masterfully well-constructed film about masculinity with a third act that sneaks up on you.
Why let the big-ticket films have all the fun?
A festival that will henceforth be known as “TIFFord.”
Michelle Latimer’s Trickster is here to indigenize your television.
Roseanne Liang’s film spins a thoughtful feminist narrative…almost.