The Queue

Big Feels and Flat Affect: Why Wes Anderson Represses Emotion

Ever wondered why the director of 'The Royal Tenenbaums,' 'The Darjeeling Limited,' and 'The French Dispatch' flattens emotion? We've got… Read More

Why it Always Rains in David Fincher Movies

Simply put, you cannot rain on Fincher's parade. Read More

The (Many) Cinematic Adventures of Tintin

Time to praise one of the few fully mocap animated films to clear the uncanny valley. Read More

Yellow, Stranger: The Color Theory of Zodiac

Because nothing says "obsession with an elusive killer" quite like the color of bile. Read More

‘(500) Days of Summer’ and How to Shoot the Same Scene Two Ways

It's important to balance your expectations ... just like it's important to use different focal lengths to convey different levels… Read More

In Praise of ‘Silenced’: The Film that Shook South Korean Cinema

'Silenced' is a very difficult film to watch. But with subject matter this pressing, it's an important film to have… Read More

Beelzebub’s Blockbuster: Why ‘The Exorcist’ Terrified Audiences in 1973

'The Exorcist' was the Christmas hit that rocked Hollywood. Here's why audiences in 1973 found the film so scary. Read More

Housing, Class, and the Thematic Punch of ‘The People Under the Stairs’

Here's a look at why Wes Craven's 1991 horror film is as relevant as ever. Read More