Sundance

Normally around this time of year, Neil would have written 5 separate posts about the journey from Reject HQ to the airport to board a…

Two new posters were dropped into my inbox this afternoon minutes apart from one another, but they are each pefect examples of two totally different…

In an exclusive interview FSR chats with Rupert Wyatt, director and co-writer of the prison escape drama The Escapist, now playing in limited release and on IFC Films On Demand.

Amy Adams and Emily Blunt star as two loser sisters who pull it together by cleaning up other people’s suicides.

Before I made my trip to Park City, Utah for the 2009 Sundance Film Festival I gave you a list of the 13 films I was most interested in seeing. And now that I’ve come and gone, surviving another year in the hustle and bustle of America’s great festival, it is my duty to bookend my coverage with a list of the best films of this year’s fest.

My last film screened at this year’s Sundance film festival, Push: Based on a novel by Sapphire, was certainly one of the best. A tragic and touching story crafted beautifully and bravely by director Lee Daniels, Push is more than deserving of that acclaim that it garnered throughout this year’s festival run.

One of the biggest secrets about the Sundance Film Festival is the quality of its documentaries — and though Robert Redford and crew try hard to highlight the exquisite non-fiction section of their yearly independent library, the doc categories are often overshadowed by the bigger, more accessible mainstream releases. But if you think about it, Sundance is the place for docs.

Of all the films that I went to see at Sundance this year, I’ve got the sneaking suspicion that the majority of you are most interested in hearing my thoughts about Tommy Wirkola’s Dead Snow. Call me crazy, but the idea of Nazi Zombies attacking unsuspecting young people in the snowy mountains of Norway just has a certain charm.

Perhaps this year’s most buzzed about Sundance movie, director Lone Scherfig’s period drama accomplished more than few things during its Sundance ’09 run. First and foremost, it was one of the most well-executed period films of the festival, bringing to life 1960s Britain in a very authentic way. It also introduced us to a brilliant new talent named Carey Mulligan.