Music

John Williams’ score for ‘The Last Jedi’ is as dynamic and different as the movie itself.

It’s time for the Academy to recognize the work of one of Hollywood’s most talented film composers.

If ever there was a year to cut a little loose. 2017 was a rough one, on screen and off. Its characters needed to express…

Thor: Ragnarok’s score is an 80s-tinged cosmic funk fest and Marvel should be taking notes.

Hans Zimmer is only one piece of the puzzle. As Dunkirk most recently displayed, director Christopher Nolan wants to drum his tense perfectionism into his…

Stringing you along with strings. Most films don’t function well without their soundtracks, but horror is the genre most dependent upon its score. The crashing…

Noah Baumbach elevates a film trope from the 1940s.

Halloween playlists, unlike movies, come with far fewer ground rules or critical consensus.

The Emmy-winning composer talks about working with one of his influences, his composing process and his success with Mr. Robot.