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Maggie Cheung
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The Infinite Reinvention of Wong Kar Wai
With the release of The Criterion Collection’s “World of Wong Kar Wai” set, we look at how Hong Kong’s King of Cool has built an inimitable career on repetition and iteration.
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A Color Theory Reading of Olivier Assayas’ ‘Irma Vep’
“Cinema is not magic; it is a technique and a science, a technique born from science and put in service of a will: the will of workers to liberate themselves.”
