Despite an intoxicating performance from Mads Mikkelsen, the novelty of the film’s provocative premise soon fizzles out.
Some off-kilter delights from the 63rd LFF.
Far from being a gimmick, the colorization of First World War footage in Peter Jackson’s new documentary restores that moment in history to its proper rawness.
The ‘Oldboy’ director is a surprising choice to direct the latest John le Carré adaptation, but we think it works.
Ben Wheatley’s holiday drama is almost nothing like his previous work.
Beautiful Boy feels like a horror movie primarily directed at the parents in its audience.
With a thread of the divine woven into its realist tapestry, Happy as Lazzaro feels like a timeless fable.