J.D. Dillard Explains How He Created a Most Epic Creature Shot in ‘Sweetheart’ [Fantastic Fest]
We chat with the filmmaker about how one haunting image propelled him to make his meaty creature feature.
Tag: Interview
Takashi Miike Discusses the Hard Slap of the Yakuza film and Why We Need More of Them [Fantastic Fest]
We chat with the filmmaker about the state of the Yakuza film in the world and his desire to return a little shine to the genre.
Jason Mewes Talks Stan Lee, Comic-Con, And His Therapeutic Directorial Debut
We spoke to the actor-turned-director about his new film 'Madness in the Method' and how it helped shed the torment of typecasting.
Talking Greek Gods and ‘Astronaut’ with Richard Dreyfuss
We try to talk with the actor about his new film 'Astronaut,' but we quickly sidetrack into a philosophical exploration of the only rageful gods humanity deserves.
Christopher Willis on Finding Musical Inspiration in Stalin’s Russia for ‘The Death of Stalin’
An interview with Armando Iannucci’s composer which starts in Soviet Russia and ends in Walt Disney World.
Jim Cummings Chats About His Indie Hit ‘Thunder Road’
Jim Cummings talks about hurricane diaspores, toxic masculinity, and the importance of crying at comedies.
Don Coscarelli Chats About His Upcoming Book “True Indie: Life and Death in Filmmaking”
We talk with the indie horror master about the evolution of filmmaking throughout his career and the challenges of cramming it all into a book.
‘Searching’ Cinematographer Juan Sebastián Barón on the Power of Authentic Camerawork
We chat with ‘Searching’ Cinematographer Juan Sebastián Barón about finding creativity through restraint.
John David Washington Talks ‘BlacKkKlansman,’ Colin Kaepernick, and Becoming a Cop
The star of 'BlacKkKlansman' tells us about preparing to play police officers: “I did ridealongs for about a month. It was hard to sleep that month with the things I was seeing.”
John Cameron Mitchell Talks His New Film, Today’s Punks, and the Current State of the UK
John Cameron Mitchell's newest movie turns a Neil Gaiman short story into a vivacious cannibal punk extravaganza. He says it's a metaphor for Brexit.
