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Film Festivals
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‘Ash Is Purest White’ Review: Tao and Zhangke Solidify Themselves As One of Film’s Greatest Duos (NYFF)
Zhangke’s latest is a mesmerizing dive into the rural Chinese underground.
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‘The Night Comes for Us’ Review: Welcome to Action Movie Nirvana, Please Excuse the Puddles of Blood
Turns out you don’t need Gareth Evans to make ‘The Raid 3.’
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‘Burning’ Review: Lives, Like Love, Are So Easily Set Aflame (Fantastic Fest 2018)
Steven Yeun brings the full weight of his international star power to bear in this haunting South Korean revenge story.
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‘May the Devil Take You’ Review: Family Reunions Are Hellish (Fantastic Fest 2018)
“Fortune shall be paid… with souls.”
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‘The Boat’ Review: A Must-See Fight for Survival Against Extraordinary Odds
‘Duel’ meets ‘All Is Lost’ as terror and tension carve a path across the open sea.
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‘You Might Be the Killer’ Review: Sam and Chuck vs a Far Too Casual Evil
There’s a body count, but Fran Kranz and Alyson Hannigan save the day.
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‘The Wind’ Review: In the American West, No One Can Hear You Scream
Emma Tammi’s feature film debut showcases the potential of the horror-western as a new mode of independent filmmaking.
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‘Halloween’ Review: Yup, It’s a ‘Halloween’ Sequel
Not the best Halloween II, but not the worst either.
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‘Between Worlds’ Review: Come for the Cage, Stay for the Cage (Fantastic Fest 2018)
Nic Cage is back to making poor career decisions for our entertainment.
