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Color Code
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How Sofia Coppola Uses Color in ‘The Virgin Suicides’
“We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.”
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A Color Theory Reading of Todd Haynes’ ‘Carol’
When it comes to Todd Haynes, Ed Lachman, and color, “There are no accidents.”
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The Interior and Exterior Worlds of Color in ‘Uncut Gems’
“They say you can see the whole universe in opal…”
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A Color Theory Reading of Jane Campion’s ‘In the Cut’
For Jane Campion, idyllic romance is a bloody “trap.”
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A Color Theory Reading of Olivier Assayas’ ‘Irma Vep’
“Cinema is not magic; it is a technique and a science, a technique born from science and put in service of a will: the will of workers to liberate themselves.”
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A Color Theory Reading of Julie Dash’s ‘Daughters of the Dust’
“In this quiet place, folks kneel down and catch a glimpse of the eternal.”
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Michael Mann: Master of Cool Colors
Plunge into the cool, electric color of Michael Mann. Everything from the luminous greens of ‘Thief’ to the Tiffany blues of ‘Blackhat.’
