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Cannes
Film Festival.
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‘Asteroid City’ Is A Hopeful Gaze Into Infinity (Cannes Review)
Wes Anderson’s latest is a gorgeous ‘50s-set Russian doll of a movie about the wonder and the terror of the “cosmic wilderness.”
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With ‘Killers of the Flower Moon’, Martin Scorsese Innovates to Extraordinarily Moving Effect (Cannes Review)
From Cannes, Farah Cheded reviews Martin Scorsese’s latest.
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‘Memoria’ is Pure, Distilled Meditation in an Affecting Cinematic Experience
Apichatpong Weerasethakul and Tilda Swinton offer the gift of reflection.
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To Send-Up with Love: Valérie Lemercier on the Making of Her Comedic Celine Dion Biopic
In the bizarre biopic, the filmmaker tells Dion’s story with a twist.
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‘Red Rocket’ Brings Small-Town Texas to Cannes in Character Triumph
Sean Baker is back with new discoveries.
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‘Titane’ is a Ravishing Trip Through Fire and Fury from the Director of ‘Raw’
Julia Ducournau’s sophomore feature is coming straight for the jugular.
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‘After Yang,’ ‘The Souvenir: Part II’ and Nature Cinematography as a Healing Art
Kogonada and Joanna Hogg prove themselves masters of capturing the natural world in step with the narrative.
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‘Benedetta’ Takes a Brutal but Accurate Angle on Christian History
Paul Verhoeven’s lifelong research on the Church culminates in a marvelously incisive nun thriller.
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A Brief History of the Cannes Film Festival Palme d’Or
A.k.a. the sometime Grand Prix du Festival International du Film.
