Blood, Sweat and Latex: The Predator Experience (Part 3)
by Shannon SheaWe packed the truck that would travel to location in Palenque, Mexico a few days before we traveled via… Read More
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by Shannon SheaWe packed the truck that would travel to location in Palenque, Mexico a few days before we traveled via… Read More
by Shannon SheaBy now, most fans credit Steve Wang and Matt Rose for the creation of the Predator. However, in my… Read More
by Shannon SheaThere are events that define one’s existence that go beyond being learning or growing experiences. They become scars. Battle… Read More
by Shannon SheaAfter working with both Mark Shostrom and Sonny Burman on Evil Dead II, I had ended up back at… Read More
by Shannon SheaYou never know. You just never know. I wonder if back in 1930, Universal Studios make up artist, Jack… Read More
by Shannon SheaDoug Beswick’s career, like many creature makers, began with a love and practice of Stop Motion Animation. My understanding… Read More
by Shannon SheaFor newbies to the column, I’m recalling defining moments that made me what I am: A Special Effects Make… Read More
by Shannon SheaAs a kid, I loved the original Invaders from Mars. To me, it was more akin to The 5000… Read More
by Shannon SheaI was fortunate to meet and work with artists who, unlike me, had already began their nomadic careers moving… Read More