Reviews

  • The Book of the Dead (Austin Film Festival ’06)

    If there’s one thing that American movie consumers are clamoring for, it’s a tale of ancient Japan told with puppets in stop motion animation. For the most part, the only exposure to puppets that America’s had has come in the form of the satirical Team America, and stop motion comes in the form of The Nightmare Before Christmas.

  • The Quietest Sound (Austin Film Festival ’06)

    For most, the recent environment of cinema is the unthinkable mix of brilliant innovation and boring stagnation. The former, is characterized by filmmakers like Gondry and Aronofsky who are brave enough to play around with storytelling styles and camera work. The latter is characterized by the majority of films that can be found on the marquee at your local 800-screen mega-multiplex-o-rama.

  • Wordplay

    Wordplay is like a great crossword puzzle, intelligently crafted and captivating. It seems fitting, then, that the entire purpose of the film is to bring to life the world of crossword puzzles, and the dedicated puzzle solvers who are addicted to them.

  • Noriko’s Dinner Table (Austin Film Festival ’06)

    Noriko’s Dinner Table is a semi-sequel to The Suicide Club, and although it was listed under the horror heading at the festival and in most reviews, it contains virtually no semblance of the horror genre except for a sizable amount of blood.

  • Death of a President (Austin Film Festival ’06)

    If you haven’t heard buzz about this movie, you’ve probably been too wrapped up in Borat hype or have taken a vow to never remove the sound proof headphones wrapped around your ears.

  • Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

    Borat came to the U.S. and A to make a movie-film. He wanted to learn about the “greatest country in the world” and make a documentary to benefit his homeland of Kazakhstan. The result? To say the least, a film that shows off how not so great America is; and a man, Sacha Baron Cohen, who has quite possibly exposed himself as the funniest man on the planet.

  • Snoop Dogg’s Hood of Horror (Austin Film Festival ’06)

    Release Date: November 3, 2006 The roots of mainstream horror date back to black and white television sets bringing a large audience shows like The…

  • A Guide to Recognizing Your Saints (Austin Film Festival ’06)

    Release Date: October 13, 2006 This directorial debut from Dito Montiel, AGTRYS as its come to be known in our short-attention spanned culture, is two…

  • Payback – Straight Up (Austin Film Festival ’06)

    Release Date: TBA If it looks like this review belongs in the vault or merits mention on an episode of “I Love the 90’s”, trust…

Exit mobile version