In Cop Out, for the first time, Kevin Smith takes on a script for hire. In place of Jay, Silent Bob, his other stock View…
In some regards, Breck Eisner’s new film The Crazies is the horror genre’s The Hurt Locker. What exactly do I mean by that boldly nonsensical…
Roman Polanski’s newest film finds the infamous director mining familiar territory. This is a welcome return. Like Scorsese and the gangster film or Fincher tackling…
Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport and get your shots, because…
Every week through the epic final season of ABC’s Lost, we are bringing you into the common area of Reject HQ. There, as they have…
Understanding the struggle of youth is a difficult one – especially for filmmakers, who are mostly adults and, as such, have lost sight on what…
An earnest, studiously straightforward message movie, Jeb Stuart’s Blood Done Sign My Name tries to get by on the strength of its performances and the…
Expecting a quality film from Martin Scorsese is like expecting to get wet in the rain. It’s the anticipation of the inevitable with the director…
Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport and get your shots, because…