Reviews
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‘Downrange’ Review: Shoots for Nihilism and Hits the Target
You’d be hard-pressed to find a film that jumps into its story faster than Ryûhei Kitamura‘s latest, Downrange. It opens with an SUV driving a remote…
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‘The Florida Project’ Review: Sean Baker Reclaims Hollywood’s Typical Childhood Narrative
Filmmaker Sean Baker has replaced the nostalgia of white picket fences with the carparks of Orlando.
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‘Thirst Street’ Review: It’s Like If Argento Made a Romcom
Don’t stay in Paris, kids.
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TIFF 2017 Review: ‘Marrowbone’ Blends Sumptuous Visuals with Gothic Spooks
In his directorial debut, the screenwriter of The Orphanage delivers a suspenseful, twisty slow-burn horror.
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‘The Houses October Built 2’ Review: Found Footage Ills, Too Few Chills
More trick than treat, this sequel pales beside the creepy joys of its predecessor.
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TIFF 2017 Review: ‘Lady Bird’ Is a Hilariously Affecting Debut from Greta Gerwig
Greta Gerwig’s directorial debut will make you laugh and then steal your heart.
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2017 Fall Comedy Movies Preview: It’s Been a Rough Year, But Fall Brings Hope
With many of 2017’s weak comedy offerings behind us, we look forward to the Fall releases. 2017 hasn’t been very kind to comedies. There has…
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‘mother!’ Review: A Crunchy Forbidden Fruit of a Film
A saintly Jennifer Lawrence fights off annoying and unwelcome houseguests in Darren Aronofsky’s latest hallucinatory thriller.
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Toronto Film Festival 2017: ‘Kissing Candice’ Review
Aoife McArdle’s dreamlike Realist wonderland Kissing Candice is an emotionally and visually impressive feature film debut.
