Reviews

  • Sundance Reviews: Shrink, The Missing Person, Bronson

    In this edition of ‘Neil’s Lazy Sundance Capsule Reviews,’ we take a look at a Hollywood insider comedy, a neo-noir detective story and a wild ride through the mind of Britain’s most famous (and dangerous) prisoners of all-time…

  • Sundance Review: Arlen Faber

    A straightforward romantic comedy about bringing a know-it-all author to his knee’s, director John Hindman’s first film is surprisingly charming and incredibly well-written. As if we should have expected any less…

  • Sundance Review: ‘The Informers’ Tries and Fails Hard

    Every year the Sundance film festival delivers at least one film that I absolutely loathe. Last year it was Downloading Nancy. This year it is The Informers, a self-indulgent, lifeless glamrock drugfest from the mind of Bret Easton Ellis.

  • Sundance Review: Adam

    If there is one studio that knows how to pick indie winners, it is Fox Searchlight. And they appear to once again be off to a good start by snatching up Max Mayer’s charming and quirky romantic comedy Adam.

  • Sundance Review: Cold Souls

    A wildly imaginative and ambitious piece of science fiction, Sophie Barthes’ Cold Souls, anchored by a very strong performance from Paul Giamatti, could just be one of the more peculiar, conversation-inducing films of this year’s Sundance Film Festival.

  • Sundance Review: World’s Greatest Dad

    Seemingly out of nowhere comes one of the most divisive and twisted comedies since Heathers. In Bobcat Goldthwait’s second directorial effort there is no limit to the darkness and consequently, no limit to the laughs to be had.

  • Foreign Objects: Donkey Punch (UK)

    Three stupid British girls vacationing in Spain hook up with four pricks and head out into the Mediterranean on a borrowed yacht. Will the premise deliver a strong blow to the back of the head or just leave you unsatisfied?

  • Sundance Review: Adventureland

    Tuesday of this year’s Sundance Film Festival (otherwise known as today) will be forever remembered as the day the 80s made an assault on my critical sensibilities. It all began with Adventureland, a coming of age teen comedy set in the summer of 1987.

  • Sundance Reviews: Paper Heart, Don’t Let Me Drown and Dare

    Up today is a trio of films, all with unique and fresh young voices behind them. By my estimation, they all have a shot at making my “Best of” list at the end of the festival, which is saying quite a lot seeing as this year has been a spectacular one in the snowy mountains of Utah.

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