‘You Might Be the Killer’ Review: Sam and Chuck vs a Far Too Casual Evil (Fantastic Fest 2018)
There's a body count, but Fran Kranz and Alyson Hannigan save the day.
Movies
‘The Wind’ Review: In the American West, No One Can Hear You Scream (Fantastic Fest 2018)
Emma Tammi's feature film debut showcases the potential of the horror-western as a new mode of independent filmmaking.
‘Halloween’ Review: Yup, It’s a ‘Halloween’ Sequel (Fantastic Fest 2018)
Not the best Halloween II, but not the worst either.
‘Between Worlds’ Review: Come for the Cage, Stay for the Cage (Fantastic Fest 2018)
Nic Cage is back to making poor career decisions for our entertainment.
‘The Nightshifter’ Review: Revenge Has Consequences Beyond the Grave (Fantastic Fest 2018)
Talking to the dead is one thing, but pissing them off is a whole other level of bad news.
‘Cam’ Review: Identity As a Fragile Series of Zeros and Ones (Fantastic Fest 2018)
Think 'The Net' but with Sandra Bullock riding a motorized sex saddle.
‘One Cut of the Dead’ Review: The Best Zom-Com in Years (Fantastic Fest 2018)
The only thing more fun than the 37-minute single-take opening is what comes next.
‘Lords of Chaos’ Review: This Headbanger’s Fall Is Gruesome, Tragic, and Funny (Fantastic Fest 2018)
A terrifically sympathetic Rory Culkin and the most brutal knife action outside of South Korean cinema add to the experience.
Three Types of Orphan Protagonists and Why We Love Them
As a parent, all the odds (read: plot devices) are against you.
‘The Perfection’ Review: A Masterful Work of Tension and Brutality (Fantastic Fest 2018)
Allison Williams and Logan Browning lead what is easily one of the year's best thrillers.
