If movies have taught us anything it’s that not enough filmmakers title their work as an homage to the venerable and beloved Police Academy film…
Great movies come from all around the world, and so do great DVDs and Blu-rays. Import This! is an irregular feature here at FSR that…
Biopics tend to focus on the subject’s high and low points with little time for the real lives in between. It’s a problem of running…
From 2010, we interview the filmmaker about his latest feature, the James Franco-led ‘127 Hours.’
Welcome back to Junkfood Cinema; we can’t apologize enough. This is the internet column which thankfully you only have to bear once a week. I…
The general consensus on Ridley Scott’s little brother Tony seems to be that he’s the lesser talent. All style, no substance, never met a tripod…
As discussed in last week’s entry in the canon of the Criterion Files with Carol Reed’s The Third Man for our themed month dubbed “Noirvember,”…
Landon and Adam usually have the lock down on all things Criterion, but lately I’ve been inundated by the important films of old times and…
Every Sunday, Film School Rejects presents a film that was made before you were born and tells you why you should like it. This week, Old…