Movies
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‘The Artist’ is Overwhelmingly Charming
It feels like every year when The Weinsteins are pushing, shoving, and clambering for Oscars, everyone responds, “Really? That movie? It was good, but… really?”…
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NYFF Review: ‘Melancholia’ Makes for a Grand Apocalyptic Drama
The last time Lars von Trier explored a relationship in decay, the divisive auteur could not have been more in your face. While parts of…
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31 Days of Horror: High Tension
When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one…
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The MOD Quad: The File of the Golden Goose, The Fourth War, Hennessy, and Johnny Cool
Film studios have recently discovered a way to inject new life into their back catalogs without the need to spend money on marketing, retail shelf…
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Aural Fixation: What’s Scarier — Silence or Sound? A Closer Look at the Scores for ‘The Thing’
Anyone who has seen a horror film knows the cue for when a scare is right around the corner – the music begins to draw…
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39 Things We Learned From the ‘Cloverfield’ Commentary
Welcome back to Commentary Commentary, your weekly dish of directorial insight and/or, as indicated by last week’s column, shenanigans. This week we’re looking inside the…
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31 Days of Horror: House on Haunted Hill (1959)
When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one…
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Fantastic Review: ‘Juan of the Dead’ Fills the Screen With Laughs and Amateurish Special Effects
They say imitation is the sincerest form of flattery, and while we don’t really know who they are exactly one thing is clear. They’re probably…
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31 Days of Horror: The Others
by Robin Ruinsky When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll…
