Interviews

Adam Wingard on Shooting ‘Godzilla vs. Kong’ as an Immersive 800 MPH Brawl

We chat with the director about attaching cameras to fins and fists and why these two titans reign over all… Read More

Why the ‘WandaVision’ Visual Effects Team Went Blue for Vision

We chat with VFX Supervisor Tara DeMarco about the challenges of capturing a physical performance in a digital construct. Read More

Anthony Russo Explains How Six Tones are Better than One in ‘Cherry’

We chat with the director about his new film and how he and his brother jumbled genres to capture life… Read More

Roseanne Liang Wants to Live and Die Making Action Movies

From her days in film school in New Zealand to most recently shooting monster action, she has always had action… Read More

How Craig Brewer Went from Couch Surfing to ‘Coming 2 America’

We talk to the filmmaker about his career, the truth about 'Hustle & Flow,' and his work with Eddie Murphy. Read More

How They Shot ‘WandaVision’ with One Camera and 47 Lenses

We chat with cinematographer Jess Hall about the process of duplicating seven television eras for the Marvel series. Read More

How David Prior’s ‘The Empty Man’ Survived the Perfect Hollywood Storm

We talk to the filmmaker about the unfortunate fate of his ambitious horror fIlm. Read More

Henry Jackman Cooks Musical Chaos in His Laboratory for ‘Cherry’

We chat with the composer about embracing instrumental instability to craft the ambiguous score sought by The Russo Brothers. Read More

How an Intimacy Coordinator Affects Story on a Film Set

We chat with intimacy coordinator Marcus Watson about how he shares the same mission as costumes, stunts, and production design.… Read More

Jay Baruchel Makes His Camera a Ghost for ‘Random Acts of Violence’

We chat with the director about finally making the horror film that lingered in his head for over a decade. Read More