Interviews
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Richard Stanley Making Lovecraft Work For Him in ‘Color Out of Space’
We talk with the director and star Joely Richardson about the personal twist they brought upon the much-loved horror author.
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Pablo Helman on the Revelatory Performance Capture of ‘The Irishman’
We chat with the Oscar-nominated visual effects supervisor about the new process in which he replicated human performances digitally.
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York Shackleton on the Educated Compromises of ‘Disturbing the Peace’
We chat with the director about accepting compromise but never losing vision on set.
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Creating the World of ‘The Rise of Skywalker’ with Editor Maryann Brandon
According to one of J.J. Abrams’ most trusted long-time collaborators, crafting this vital final chapter in pop culture history presents a unique set of challenges and pressures in the cutting room.
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Darius Khondji on Ditching His Comfort Zone to Shoot ‘Uncut Gems’
We chat with the cinematographer about accomplishing the grit of ‘Uncut Gems’ and how it pushed him unlike any other movie.
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Jon Avnet and Walton Goggins on Embracing Mercy Through Perception in ‘Three Christs’
We talk with the director and actor about inhabiting a delusional headspace and our country’s desperate demand for care.
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David Wingo on the Ugly and Corrupted Score of ‘The Report’
We chat with the composer about the freedom of building from a temporary score and the crucial nature of collaboration.
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Eben Bolter on the Terror and Pleasure of Multi-Camera Filmmaking in ‘Avenue 5’
We chat with the cinematographer about the tools required to shoot a cinematic, sci-fi comedy series.
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Peter Strickland on the High Street Terror of ‘In Fabric’
We chat with the filmmaker about the magic of retail and the haunting graveyard that stores have become.
