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On Blaxploitation and Breaking Barriers: The Radical Impact of Nichelle Nichols

Representation matters. Just ask Nichelle Nichols.
Nichelle Nichols Uhura Star Trek
By  · Published on June 15th, 2020

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Like with most offshoots of the exploitation genre, it can be tricky to reconcile the “exploitation” part of blaxploitation.  On the one hand: blaxploitation created an explosion of American cinema dominated by, for, and about communities of color. On the other hand: most of the white-helmed studios overseeing blaxploitation cinema were only interested in making a quick buck, which meant an emphasis on damaging stereotypes.

Nichelle Nichols only starred in one blaxploitation film. After she appeared as a foul-mouthed madam opposite Isaac Hayes in 1974’s Truck Turner, she swore off the genre. For Nichols, the promise of blaxploitation — that it would create opportunities for Black filmmakers to tell stories about Black characters that were multifaceted, human, and complex — wasn’t being fulfilled.

Nichols knows a thing or two about the importance of on-screen representation. Before Truck Turner, she was breaking barriers on Star Trek as Lieutenant Uhura, the most visible Black women on television during the Civil Rights era. In the interview clip below, Nichols describes her role in Black representation on-screen, from her brief stint in blaxploitation to her iconic role as Uhura. Nichols also describes the period of time after Star Trek‘s first season when she considered quitting the show, and how Dr. Martin Luther King, Jr. convinced her to stay.

You can watch “Nichelle Nichols – On Blaxploitation and Breaking Barriers” here:

Who made this?

This exclusive clip comes courtesy of Reelblack, founded in 2007 by NYU and AFI alum Michael J. Dennis (The 13th Amendment). Reelblack’s mission is to educate, enlighten, entertain, and empower people through Black film. The above clip comes from the press room at the 2008 East Coast Black Age of Comics Convention and features Nichelle Nichols and journalist Raymond Tyler. you can subscribe to Reelback on YouTube here. And you can follow them on Twitter here.

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Based in the Pacific North West, Meg enjoys long scrambles on cliff faces and cozying up with a good piece of 1960s eurotrash. As a senior contributor at FSR, Meg's objective is to spread the good word about the best of sleaze, genre, and practical effects.