“Male characters in movies have been allowed to be pretty terrible people and still get us to root for them. We have to be able to love messy anti-hero female characters, even female villains, as much as we do male ones.”
Yen Tan’s miracle of a film masterfully sets a heartbreaking, small-scaled familial story against the massive backdrop of the AIDS crisis.
Long-time Paul Thomas Anderson collaborator’s work in ‘Phantom Thread’ is a lot more complex than it gets credit for.
In a puzzling casting decision, actual heroes play themselves in Clint Eastwood’s dull ode to American audacity.
‘White Rabbit,’ ‘Skate Kitchen,’ and ‘Shirkers’ are inventive female-driven stories of defiance and identity.
Liam Neeson’s punches save the day in this satisfying, 90s-inspired Jaume Collet-Serra locomotive.
An exploration of the best movie fashion of 2017.
Paul Thomas Anderson’s latest is a handsomely stitched love story, draped with surprising delights.
Steven Spielberg’s latest gives The Washington Post publisher Katharine Graham her due with a polished drama.