Author: Brian Salisbury

  • SXSW Review: Tony

    The greatest part about film festivals is never the parties, the press networking, interviewing filmmakers, or even sneak peeks of major releases. The best part…

  • SXSW Review: Higanjima

    As foreign films go, Japan is probably my favorite country. There is a freedom of spirit and rejection of inhibition that produces some of the…

  • SXSW Review: Centurion

    If I learned one thing from the horror panel, which is absurd because I actually learned a surfeit of things from that panel, it’s that…

  • SXSW Review: Cargo

    Cargo was one of my most anticipated films of this year’s SXSW. As I had mentioned before, while Sci-Fi is not my expertise, the titles…

  • SXSW Review: The Loved Ones

    We all remember high school, right? For some of us it’s not a terribly distant memory and for others it’s so distant that it’s almost…

  • SXSW Review: MacGruber

    To undertake an SNL sketch adaptation is to navigate some rough waters. When these films are good, they are great; Blues Brothers jumps immediately to…

  • SXSW Review: Earthling

    SXSW is a prestigious festival, of that we can be sure, but it is not highly regarded for its celebration of genre. That’s not a…

  • SXSW Review: Cannibal Girls

    How excited am I to be attending a reparatory screening of an unsung horror film at SXSW? If you’re at all familiar with the articles…

  • SXSW Review: American Grindhouse

    American Grindhouse was my most anticipated film of SXSW 2010. Two years ago, after a pair of amazing road trips to Austin, Texas, I uprooted…

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