Author: Robert Levin

The new film Rubber tells the story of an inanimate tire named Robert (love that name) that suddenly, mysteriously springs to life and starts killing…

Everywhere you look there’s another superhero movie these days. Countless studio dollars, a stream of big stars and endless articles have been expended on the…

As a 25-year-old Jewish man I’m about as far removed from the Hop target demographic as one could get. I’ve never celebrated Easter, I consequently…

Peep World is an excruciating assemblage of one-dimensional nags, linked under a sub-par quasi-Wes Anderson family dysfunction narrative umbrella. It’s a portrait of estranged narcissistic…

On a wet, nasty Wednesday evening in New York, Paramount CEO Brad Grey, J.J. Abrams and the rest of the studio’s team gathered a group…

Mars Needs Moms is an awesome display of computer animation molded to a standard Disney story template. The soppy moralizing about families and the sanctity…

Car bombs dominate the cinematic landscape in Kill the Irishman. They do so literally, as there’s practically a new explosion every ten minutes, and psychologically,…

Happythankyoumoreplease unfolds in familiarly quirky, coming-of-age indie territory. Yet, despite its propensity for clichés and occasionally sappy tone, as exemplified by the film’s tagline –…

Rango is the first animated genre movie I’ve seen that, with no exaggeration, works as well as its live-action counterparts possibly could. Gore Verbinski’s latest…