Author: Kate Erbland
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UPDATED: Kristen Stewart No Longer Welcome In ‘Snow White and the Huntsman’ Sequel
UPDATED: Deadline Hollywood has issued a special message from Universal Co-Chairman Donna Langley: “We are extremely proud of Snow White And The Huntsman and we’re…
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Sparkly! Rebel Wilson Saddles Up for Lead Role in ‘Unicorn Store’
Rebel Wilson is scary funny. She’s also quite brave – after all, how many other comedians would be game enough to have their big introduction…
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‘Hamlet’ With Dogs: Wentworth Miller Might Script ‘The Story of Edgar Sawtelle’ Adaptation
It’s Hamlet with dogs. No, no, stay with me here. David Wroblewski’s Oprah Book Club novel, “The Story of Edgar Sawtelle,” centers on young Edgar, born…
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Young and Restless and Bored: Kelly Reichardt’s ‘Night Moves’ Changes Up Casting
In somewhat disappointing casting news, Variety reports (via FirstShowing) that Kelly Reichardt’s next film, the eco-terrorism thriller Night Moves, will not star Paul Dano and…
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Aaron Paul to Star in Adaptation of Nick Hornby’s ‘A Long Way Down,’ Bitch!
Yeah, bitch! Everyone’s favorite meth-making sidekick, Aaron Paul, is now set to star in the latest adaptation of a Nick Hornby novel. Deadline Hollywood reports…
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Release Date Round-Up: ‘Oblivion’ and ‘Perks’ Get Pushed, ‘Rush’ and ‘Mama’ Get Dated
Welcome back to everyone’s favorite Friday afternoon mini-feature: Movies Getting Released on Days. Just kidding! It’s the Release Date Round-Up! Yee haw! This time around,…
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She’s Got Class and Style: Anna Kendrick Sings ‘No Diggity’ In an Empty Pool and It’s Wonderful
Stop it, Anna Kendrick. Just stop it. You’re in danger of making everyone on Earth fall in love with you and/or want to be your…
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Keira Knightley Is the New Anne Archer to Chris Pine’s Harrison Ford
Despite some apparently rigorous auditioning, there has not been a tremendous flurry over which leading lady would be cast as Dr. Caroline “Cathy” Muller Ryan…
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33 Things We Learned From ‘The French Connection’ Commentary
From 2012, we share everything we got out of the DVD commentary for William Friedkin’s Best Picture winner.
