Author: Luke Hicks
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Talking Sundance, Sarsgaard, and Sound with Writer/Director Michael Tyburski
What if we could better our lives by adjusting the sounds in our home?
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The Cycle of Violence in Jennifer Kent’s ‘The Nightingale’
‘The Nightingale’ is a bloodcurdling example of how violence towards women on screen (when directed by women) can tell a powerful and necessary story.
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‘The Farewell’ Review: A Funny, Heartfelt, and Surprising Tale About Family
A24’s newest buy is not in vain. Please keep giving Lulu Wang money to make movies.
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![Thumbnail for ‘Extremely Wicked, Shockingly Evil and Vile’ Review: Carries One Note Well [Sundance]](https://filmschoolrejects.com/wp-content/uploads/2019/01/extremely-wicked-sundance.jpg)
‘Extremely Wicked, Shockingly Evil and Vile’ Review: Carries One Note Well [Sundance]
Come for the Efron, stay for the Collins.
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![Thumbnail for ‘The Report’ Review: A Sharp Political Thriller That Sticks to the Facts [Sundance]](https://filmschoolrejects.com/wp-content/uploads/2019/01/the-report.jpg)
‘The Report’ Review: A Sharp Political Thriller That Sticks to the Facts [Sundance]
Imagine a prescient political thriller not just made for liberals—one that wants to be understood and taken seriously by all parties, like a politically sober ‘The Post.’
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![Thumbnail for ‘Honey Boy’ Review: Shia LaBeouf’s Screenwriting Debut Is a Soul-Baring Memoir [Sundance]](https://filmschoolrejects.com/wp-content/uploads/2019/01/honey-boy-sundance.jpg)
‘Honey Boy’ Review: Shia LaBeouf’s Screenwriting Debut Is a Soul-Baring Memoir [Sundance]
The Beef is Mr. The Beef.
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26 Sundance 2019 Movies We Can’t Wait to See
From outlandishly distorted nursery-rhyme antagonists to mothering robots after the apocalypse to Zac Efron as Ted Bundy, Sundance 2019 has a lot to look forward to
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25 Directors Looking to Avoid the Sophomore Slump in 2019
Two is the magic number.
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Bracing for Terrence Malick’s ‘Radegund’
Hope is the name of the game.
