Author: Fernando Andrés
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The Existentialism of ‘Rick and Morty’
Nobody exists on purpose, nobody belongs anywhere, everybody is gonna die.
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What Makes a Good ‘Star Wars’ Film: A Study of ‘Rogue One’
A new video essay explores the dead ends of ‘Rogue One,’ comparing it to other entries in the franchise.
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The Realistic Grief of ‘Manchester by the Sea’
How can a film depict the most painful of human emotions?
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Why Music Matters in ‘Moonlight’
Everything means something in a film this personal.
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The Cinematic Universe of Andrea Arnold
A video essay explores the acclaimed filmmaker’s exquisite usage of atmosphere.
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What ‘The Master’ Tells Us About Scientology
Take a closer look at Paul Thomas Anderson’s handling of religion with this video essay about The Master and what it has to say about Scientology.
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SXSW Interview — ‘La Barracuda’ Is A Bold, Unique Take on the Texas Family Drama
An enlightening conversation with the team behind one of the best films at this year’s SXSW. “Patricia Highsmith is Texas-born. A lot of people think she’s…
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‘M.F.A.’ Review: Rape/Revenge Movie Butchers Opportunity To Confront Sexual Assault
The problematic title combines a severe mishandling of campus rape with a mediocre psychological thriller.
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SXSW Review – ‘The Disaster Artist’ Paints A Touching, Uneven Portrait of Living The Dream
‘The Disaster Artist’ Paints A Touching, Uneven Portrait of Living The Dream James Franco’s long-awaited film about the making of ‘The Room’ is a hilarious yet…
