Author: Brad Gullickson

Jesse Eisenberg’s feature directorial debut is an exhausting bout between mother and son, sold by Julianne Moore and Finn Wolfhard’s captivating anti-chemistry.

Kogonada’s sophomore feature is a relentlessly pristine experience, but one that is ultimately warm and throbbing with life.

All our hope lies in some familiar theme music.

We are told that this is the end for The Beatles, but what we witness on the Apple Corps roof is pure bliss.

As Marvel gets closer to the bottom of its barrel, we’re going to encounter some of their best and weirdest concepts.

It’s all Rian Johnson’s fault.

We dig into Chapter 3 and examine why our favorite bounty hunter has gone so soft for Tatooine.

We examine how Uncle Ben factors into the MCU Spider-Man and whether or not the ‘No Way Home’ climax presents a brand new Peter Parker.

In a mystifying year, we found hope in these fifteen filmmakers. Their art has our backs.