Black and White

Why You Should Care About Oppenheimer’s B&W IMAX Film Stock

By  Meg Shields 

Nolan is going back to black (and white).

How Filmmakers Use the Binary of Black-And-White

By  Meg Shields 

What we’re watching: a pair of video essays that highlight the strengths and limitations of black-and-white’s narrative power.

Martha Stephens on Shooting ‘To the Stars’ Simultaneously in Black and White and Color

By  Brad Gullickson 

We chat with the director about why she chose the impossible task of shooting two versions of her film.

‘Dead Man’ And Making Movies From Another Time

By  M.G McIntyre 

This period Western looks, feels, and sounds like nothing else from the ’90s.