Reviews

Over the course of our more than 15-year existence, FSR has published thousands of reviews. We have reviewed movies from film festivals like Sundance, SXSW, TIFF, and Cannes. We review new theatrical and streaming releases. We even have two recurring columns — Previously On and Up Next — in which we review new and returning TV shows. And just as a fun fact, we used to give out letter grades with our reviews.

Browse our entire reviews archive below

Review: The Horseman

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Does penis violence make you queasy? And I don’t mean violence committed by penises, but violence committed against them. Punches, drill bits spinning Candiru-style up the urethra, or tri-hooked fishing lures pierced through a guy’s dongle then yanked… if so, then you just may want to skip the new Australian film, The Horseman.

Review: That Evening Sun

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“I have the feeling that if I died in the middle of the night they’d just roll me out and roll the next one in,” says Abner Meecham (Hal Holbrook) in That Evening Sun. “And nobody would even notice.”

Review: MINE: Taken By Katrina

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MINE: Taken By Katrina is a story about the pets who lived in the path of Hurricane Katrina, but it’s also about the owners who chose (or were forced) to evacuate without them and the families who eventually adopted them into their homes.

Review: ‘Miss March’ is Too Sketchy

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The sporadically funny movie from Zach Cregger and Trevor Moore of ‘The Whitest Kids U’ Know’ proves the difficulty of transitioning from the world of sketch comedy to narrative filmmaking.

Review: Black

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A funky riff on the theme music from 2001: A Space Odyssey opens Black, a new French film and the second craziest movie of this year’s SXSW Film Festival. And the weirdness doesn’t end there.

SXSW Review: Women in Trouble

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What does it take to make a good, honest comedy driven by a cast completely comprised by women? For one, it needs to take its female characters seriously. Take for example, Sebastian Gutierrez’s new film Women in Trouble.

SXSW Review: Drag Me To Hell

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Although it wasn’t mentioned to the Paramount Theater’s packed house last night, the screening was a ‘work in progress’ cut of Sam Raimi’s Drag Me To Hell. But if audience reaction last night is a true indicator, the vast majority of them loved the film. Work in progress or not.

SXSW Review: Splinterheads

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There is a reason that we cover so many film festivals during the year. We want to be there where it all begins, where the careers of tomorrow’s great filmmakers and actors begin. And this year at SXSW, we are seeing some really great beginnings for some very talented artists.

SXSW Review: Ong Bak 2

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Bold Claim of the Day: Ong Bak 2 is the greatest martial arts movie ever made. Not the smartest, or the funniest, or the most dramatic… the greatest.