Sheryl Oh

Sheryl Oh often finds herself fascinated (and let's be real, a little obsessed) with actors and their onscreen accomplishments, developing Film School Rejects' Filmographies column as a passion project. She's not very good at Twitter but find her at @sherhorowitz anyway. (She/Her)
Crazy Rich Asians Michelle Yeoh

Finding the Real Singapore in ‘Crazy Rich Asians’

By Sheryl Oh 

Jon M. Chu’s flashy, outrageous romp doesn’t hit a home run in the Lion City, but that doesn’t mean it’s unimportant.

Natalie Portman Black Swan

Natalie Portman Will Play Identical Twins in Her Next Directorial Effort

By Sheryl Oh 

The ‘Black Swan’ actress scores a dual role unlike any other she’s played before.

Outlaw King Chris Pine

‘Outlaw King’ Trailer: Chris Pine and David Mackenzie Reunite for a Gripping War Epic

By Sheryl Oh 

This historical drama further proves that the ‘Hell or High Water’ director has given Pine some of the best films of his career.

Sebastian Stan I Tonya

Sebastian Stan Will Lead a Fiery Greek Romance in ‘Monday’

By Sheryl Oh 

The brutal honesty of an Argyris Papadimitropoulos film will serve as a refreshing challenge for Stan.

Case Renee Zellweger

Renée Zellweger is Heading to TV in ‘What/If’

By Sheryl Oh 

This could be the thriller that Zellweger’s career has been waiting for.

The Florida Project Brooklynn Prince

‘The Florida Project’ Star Brooklynn Prince Will Headline Her Own Series

By Sheryl Oh 

Prince could play this gifted, Hilde Lysiak-inspired reporter to perfection.

Jay Baruchel Goon

‘Goon 2’ Director Jay Baruchel Sets an Indie Horror Film as His Sophomore Effort

By Sheryl Oh 

Baruchel’s long-gestating horror project could very well succeed with such an agreeable cast.

Beverly Luff Linn Aubrey Plaza

The ‘An Evening with Beverly Luff Linn’ Trailer is Intriguingly Indecipherable

By Sheryl Oh 

The first footage of Jim Hosking’s sophomore effort banks on Aubrey Plaza and Jermaine Clement to deliver some very dead-pan lines, but it totally works.

Sexy Beast

‘Sexy Beast’ is Getting a TV Prequel

By Sheryl Oh 

Can the stylistic and symbolic freshness of Jonathan Glazer’s movie be replicated for the small screen?