Meg Shields

Meg has been writing professionally about all things film-related since 2016. She is a Senior Contributor at Film School Rejects as well as a Curator for One Perfect Shot. She has attended international film festivals such as TIFF, Hot Docs, and the Nitrate Picture Show as a member of the press. In her day job as an archivist and records manager, she regularly works with physical media and is committed to ensuring ongoing physical media accessibility in the digital age. You can find more of Meg's work at Cinema Scope, Dead Central, and Nonfics. She has also appeared on a number of film-related podcasts, including All the President's Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR's Pop Culture Happy Hour, Business Insider, and CherryPicks. Meg has a B.A. from the University of King's College and a Master of Information degree from the University of Toronto.
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The 2017 Oscar Nominations Are Here

By Meg Shields 

#Oscars(Not)SoWhite anymore.

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In Search of Satire: When Heckling Hollywood isn’t Enough

By Meg Shields 

The ol’ razzle dazzle isn’t cutting it anymore.

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The Talent Behind the Alamo Drafthouse’s New Horror Anthology is Ridiculous

By Meg Shields 

But the real horror might be crowdfunding.

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A Crack in the Celluloid Ceiling: The Significance of Chelsea Barnard

By Meg Shields 

For women in film ‐ it’s still the 20th Century, says new study.

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J.J. Abrams is Done with Reboots Except He Totally Isn’t

By Meg Shields 

To boldly go where other men have gone before.

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The Coen Brothers Return to the Western with Their First TV Project

By Meg Shields 

Jumping on the (covered) bandwagon of Auteur TV.

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Netflix’s Suburban Cannibal Horror Comedy Looks Good Enough to Eat

By Meg Shields 

Satisfy your cravings with new promos.

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The Worst of the Best of the Worst: 5 Times the Razzies Were Dead Wrong

By Meg Shields 

Hindsight’s a bitch.

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Who Can Save Us From The Government? Van Damme and Lundgren, That’s Who

By Meg Shields 

Bros before sinister government plots.