Claire Denis on the Death Penalty, Global Community, and André 3000 in ‘High Life’
In Claire Denis' spaceship, there is a "better way" to masturbate.
Luke Hicks
Rethinking The Oscars Voting Process
The outrage surrounding the Academy's consistently poor decision-making isn't for nothing. The whole voting process is fueled by thoughtlessness.
‘Cold War’ Might Be a Big Oscar Night Surprise
Will Cuaron make cinematography history with 'Roma'? Or will 'Cold War' "steal" the award like it "stole" Bradley Cooper's Oscar nom, which Cooper never had. Only in a fictive, predicted world in the …
What Covering Sundance Is Like
Have you ever wondered what it's like to go to Sundance? Now you don't have to.
Talking Sundance, Sarsgaard, and Sound with Writer/Director Michael Tyburski
What if we could better our lives by adjusting the sounds in our home?
The Cycle of Violence in Jennifer Kent’s ‘The Nightingale’
Content warning: this piece details extremely graphic and potentially triggering acts of violence toward women and people of color portrayed in 'The Nightingale.'
‘The Farewell’ Review: A Funny, Heartfelt, and Surprising Tale About Family [Sundance]
A24's newest buy is not in vain. Please keep giving Lulu Wang money to make movies.
‘Extremely Wicked, Shockingly Evil and Vile’ Review: Carries One Note Well [Sundance]
Come for the Efron, stay for the Collins.
‘The Report’ Review: A Sharp Political Thriller That Sticks to the Facts [Sundance]
Imagine a prescient political thriller not just made for liberals—one that wants to be understood and taken seriously by all parties, like a politically sober 'The Post.'
‘Honey Boy’ Review: Shia LaBeouf’s Screenwriting Debut Is a Soul-Baring Memoir [Sundance]
The Beef is Mr. The Beef.
