Like Someone In Love

review like someone in love

Editor’s Note: This review originally ran during the 2012 NYFF, but we’re re-running it now as the film opens in limited theatrical release. It’s impossible to understand who a person truly is upon first meeting them. Impressions can be made, based on the context of the meeting, but you can never know the true self that lies beneath the surface. In Abbas Kiarostami’s masterful Like Someone In Love, two very different people meet by chance, but within a 24-hour period, they discover more about each other and about themselves than either of them could have possibly fathomed. Kiarostami takes what would seem like a simple character study and, with his astute direction, morphs it into an incredibly well-executed work of art that is imbued with a palpable sense of unease. These two people are Akiko (Rin Takanashi) and Takashi (Tadashi Okuno). Akiko is studying biology in college and conflicted over whether or not to break up with her controlling boyfriend, Noriaki (Ryo Kase). She also works at an escort service. Takashi is an elderly man, working as a translator, who lives alone.



After turning heads and dividing opinions with his most recent feature, Certified Copy, maker of challenging though rewarding films Abbas Kiarostami is back with a new project, Like Someone In Love. This time around, the Iranian director is moving his focus to Tokyo, where he tells the tale of a confused young woman who develops a sort of friendship with an elderly college professor—a friendship which may or may not help her get her life on a better path, depending on your perspective. If that sounds vague, that’s because I’ve already caught this one when it was touring the festival circuit last year, and I can confirm that it is indeed the sort of film that raises more questions than it provides answers, much like Certified Copy. Though it does it by telling a story that’s more grounded in reality than that film. Seeing as the specifics of what this film is about are kind of up in the air, what sort of concrete things can definitely be said about it? Well, as the new trailer for the film shows, Kiarostami’s visual eye is as keen as ever, and the way he films the lights of Tokyo reflecting off of windows and in his characters’ eyes is just gorgeous to look at. And the actor who plays the aging professor, Tadashi Okuno, is about as charming as a human being gets in this one. Look at him. He’s like a little gnome grandfather out of a storybook or something. You just […]


This year’s New York Film Festival ended on Sunday night with the world premiere of Robert Zemeckis‘s Flight, a big Hollywood movie that many saw as too mainstream a selection for the event. But it’s apparently decent enough to currently have a very high rating on Rotten Tomatoes — our own Jack Giroux gave it a “B” in his review from the fest — so it’s not like they closed things out with Alex Cross. Other big movies that some didn’t see as fitting were opening night film Life of Pi (review)and the “secretly” screened debut of Steven Spielberg‘s Lincoln (review). However, for the most part the 2012 programming was the typical New York cinephile’s dream smorgasbord of highbrow indies and foreign films. And these seemed to mainly meet the approval of our two primary critics covering them, Daniel Walber and Caitlin Hughes (both of whom are new additions to the FSR team and did an excellent job). And all together, our 22 reviews of NYFF features averaged mainly in the range of “B” to “B+” grades. And the only thing to get less than a “C” was Brian De Palma‘s Passion, to which Caitlin gave a “D.” We weren’t only interested in new works, either. Caitlin had some fun with the anniversary screening of The Princess Bride, while Daniel had requested that one of his picks of the fest be an older film: “If I can say the new (Dolce and Gabbana funded) restoration of Satyricon that made its […]


TIFF 2012 Header

Editor’s Note: We’ve asked a Jamaican to go to Canada to cover the movies of TIFF 2012. Andrew Robinson, whose work you can check out over at his blog, has obliged and will be filling us all in on the antics in the Great White North. Here’s his first missive. Any day now I’ll be on a plane heading to Toronto for the very first time in order to attend a film festival for the very first time. I’ve been excited to attend the Toronto International Film Festival (affectionately known as TIFF) for the past three years, and now it’s finally happening. Before we dive into this list, which honestly cannot do the festival’s amazing looking lineup any justice, I will give a couple caveats. It’s based on my confirmed schedule, and therefore two films which I’m genuinely excited for but will not be able to see (Rian Johnson’s Looper and Michael Haneke’s Amour) are not on it; it’s also in no sort of ordered preference. So with that out of the way and with all the excitement being thrown around, let’s take a quick look at the films that I’m most excited for:


After literally days of rampant speculation and fanciful rumor-spreading (on my part), this year’s official line-up for the Cannes 2012 Film Festival has officially been unveiled by officials in the South of France. Officially. Unsurprisingly, and as predicted, my own 13 film wishlist was largely completely wrong – but I did predict a massive four (including the absence, thankfully, of Terrence Malick), and in my defense, Michael Haneke’s Love was the 14th film on my list until I decided to oust it for timing reasons. Brad Pitt, Robert Pattinson and Tom Hardy will battle each other as Killing Them Softly (the awfully renamed adaptation of Cogan’s Trade), Cronenberg’s Cosmopolis and the other needlessly renamed flick, Lawless (why not just keep it as The Wettest County?) compete for the Palme d’Or.

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published: 04.17.2014
published: 04.17.2014
published: 04.17.2014
published: 04.16.2014

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