Into the Woods

Into the Woods

Everybody loves musicals, right? Yes. Let’s go ahead and say that everybody loves musicals. But there is a caveat to this fact I’ve just gone ahead and made up. A musical is only warm and lovable if you explicitly know you’re watching a musical. Say you put on what you think is an ordinary film — let’s go with Blade Runner – and out of nowhere Rutger Hauer belts out an “Attack ships! On fire off the shoulder of Oriiiiiiiiiiiiiiooooooooon!” while a chorus line of Harrison Ford replicants shimmy across the background. That’s sure to put a lot of people off (although for the record, I would pay any sum of money to witness such a thing). Yet Into the Woods has just gone and played that same maneuver: the “singing robot surprise.” The first trailer for Rob Marshall‘s seemingly-ordinary fairy tale film has finally arrived, and it’s stuffed full of all sorts of fantasy teases. A girl in a red hood skips merrily into a wild and extremely unsafe-looking forest. A boy climbs several stories beanstalk without any visible safety gear. Also there’s a witch, a wolf-thing, a Rapunzel and a big mess of Maleficent quick-growing thorns. The only thing missing is the one thing that’s kind of crucial to Into the Woods: vocalized musical tones. Check out this strange, song-free trailer below.

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INTO THE WOODS

[Click to massively largify] This movie looks like it’s going to be awesome. You’ve got the pedigree of Steven Sondheim and James Lapine matched with an intriguing cast that features Meryl Streep in the spotlight, and in our first look at Into the Woods, she’s looking a bit like the witch from Big Fish minus the eyepatch. The character is desperate to regain her youth and beauty, so she makes a bargain with a cursed baker (James Corden) to un-hex him if he brings her a bunch of bizarre items. Along the way, he runs into all sorts of fairy tale characters — Jack with his magic beans, Cinderella and Rapunzel to name just a few. It’s a really fun musical with a dark sense of humor, and we’ll get to see if Rob Marshall and company can bring its spirit from the stage to the screen in December 2014.

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DOCTOR WHO S11.2 EPISODE 1

An open thread where you can share what you’ve recently watched, offer suggestions on movies and TV shows we should check out (or warnings about stuff to avoid), and discover queue-filling goodies from other FSR readers.

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bluntdance

What is Casting Couch? It’s tying a nice bow on this work week with casting news concerning lovely ladies like Michelle Yeoh, Olga Kurylenko, and Chloe Moretz. Oh yeah, and there’s some stuff about some dudes in there too. The upcoming adaptation of the Steven Sondheim musical Into the Woods that Rob Marshall has been putting together for Disney hasn’t been too secretive about its casting process. James Corden is rumored to be on board as the film’s lead, the Baker, we know for sure that mega-stars Johnny Depp and Meryl Streep are signed for sizzle roles as the wolf and the witch, and we even recently learned that Chris Pine and Jake Gyllenhaal are close to landing the roles of a couple of bumbling princes. But the one key ingredient that’s always been missing is who’s going to play the female lead, the Baker’s wife. Until now. Variety is reporting that Emily Blunt is finalizing a deal to take the role, and —oh man—does that super-talented angel coming on board instantly make this movie that much more appealing or what? The Wrap has a report that the delightful Christine Baranski may soon be getting an offer to join as well, but let’s take these things one step at a time.

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It’s musical adaptation day at Film School Rejects! Everyone, jazz hands! Earlier today, I was perhaps hysterically excited over the news that screenwriter John Logan would be adapting Jersey Boys for the big screen, but this latest adaptation news has landed on my all-singing, all-dancing heart like a block of lead. Rob Marshall has just signed on to direct a cinematic adaptation Stephen Sondheim‘s Into the Woods for The Walt Disney Company. James Lapine, who wrote the musical with composer Sondheim, will pen the screenplay. The play is a bit of a no-duh fit for Disney, as anyone who is familiar with the work will attest. The play “weaves together the story of several of the most beloved fairytales (Cinderella, Little Red Riding Hood, Jack and the Beanstalk, Rapunzel) into the original story of a Baker and his wife who try to reverse a curse on their family in order to have a child, exploring the consequences of the characters’ wishes and quests and their desire for ‘happily ever after.’” Fairytales with a twist? Yup, that sounds like something Hollywood is into right now, and Disney definitely has a vested interest in Cinderella and Rapunzel. Into the Woods earned ten nominations at the 1988 Tony Awards, with wins that included Best Score and Best Book of a Musical. The play returned with a 2002 Broadway revival that won a Tony for Best Revival of a Musical. With a pedigree like that, it’s a wonder that it’s yet to get a […]

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